Important Questions

1) Do I know how to have real conversation?

A real conversation always contains an invitation. You are inviting another person to reveal herself or himself to you, to tell you who they are or what they want. To do this requires vulnerability. Now we tend to think that vulnerability is associated with weakness, but there's a kind of robust vulnerability that can create a certain form of strength and presence too.

There are many tough conversations, but one of the most difficult is between a parent and an adolescent daughter, partly because as a parent we are almost always attempting to relate to someone who is no longer there. The parent therefore usually tries to start the conversation by offering a perspective that the daughter finds not only out of date but also unhelpful; the daughter then replies by way of defense with something just a shade more unhelpful, and so the process continues. A year or so ago, I found myself in exactly this dynamic, my daughter's bedroom door slamming shut just as I was just about to say that last, deeply satisfying unhelpful thing.

But I caught myself and said, "David, this isn't a real conversation. How do you make this a real conversation?" I gave it the old 10-minute cooldown time, walked into the kitchen, made tea and put out a tray, and on the tray: a plate of cookies, a milk pitcher, a cup and a saucer. Then I knocked on her door and said in a very different, more invitational voice, "Come on, Charlotte, I've made tea. Let's go and have a talk."

As soon as I put the tray down and we had sat next to each other, almost by accident I happened to say exactly the right thing—I said, "Charlotte, tell me one thing you'd like me to stop doing as a father. And tell me one thing you'd like me to do more of." She suddenly gazed up at me with a lovely look in her eyes, one I knew from her very early infancy. She was engaged again because at last I was really inviting her to tell me was who she had become—not who she had been or who I wanted her to be—but who she was now. (David Whyte)